Friday, 2 January 2026

metaphor is everywhere - and is the stuff of language

Using metaphor is a very good way to communicate.

For example, in how to give a 3 minute presentation we learn that winning speakers made use of metaphor and other verbal illustrations to simplify a complex idea.

If we accept that we are by nature multilingual, then it's good to have an understanding of how metaphor works and that it is central to how in fact language works.

We live by metaphors, as in clichés, pragmatics and how we use language to connect us beyond the actual words used:

Metaphors We Live By - Wikipedia [metaphor is a tool that enables people to use what they know about their direct physical and social experiences to understand more abstract things like work, time, mental activity and feelings.] and Metaphors We Live By: George Lakoff and Mark Johnson - YouTube [Lakoff and Johnson argue that metaphors aren’t just poetry, but a fundamental part of our brain conceptual system. That is, they’re central to the way we perceive ourselves, others, and the world.]

It goes pretty deep, whether it's the language of money... the language of religion... the language of love...:

The Bible is peppered with the language of debt. Sin, forgiveness, reckoning, redemption - all of these words actually derive from the language of ancient finance. What's more, this seems to be true in all the great religious traditions - not just Judaism and Christianity, but Hinduism, Buddhism, Taoism, and Islam - all of their texts are filled with financial metaphors, many of which relate to issues surrounding debt... We tend to think of these religions as teaching us that we must repay our debts. But the truth is that the financial metaphors in religious texts are oddly ambivalent. The original translation of the Lord's Prayer from 1381 reads "Give us this day our daily bread, and forgive us our debts, as we also have forgiven our debtors". But do we forgive our debtors? Actually, most of us don't.

[There is in The Merchant of Venice] the ironic weight the actors gave to all the financial metaphors that Shakespeare deploys in the love plot. Bassanio’s pursuit of Portia is first announced as his scheme “to get clear of all the debts I owe”, because Portia is rich. He refers to Portia’s famed “worth”, and calls her a “rich” “gem”. He marvels: “Look on beauty, / And you shall see ’tis purchas’d by the weight.” And while Shylock demands the fulfilment of the “bond” that Antonio signed, the pledged lovers twitter happily about “love’s bonds”, and Graziano speaks of the “bargain” of their faith. At the end, Portia tells Antonio that he is going to be Bassanio’s “surety”, to guarantee his faithfulness.

Or, to look at a BBC piece on the words that help us understand the world

We use them so much in everyday language that we often don’t even notice them, but metaphors and similes help us think more deeply – and make sense of the world around us...

And here's a fascinating piece on The Ubiquity of Metaphor from the perspective of a behavioural scientists.

So, it's more than just a bit of 'fancy' or 'flowery' language: language is metaphor.

Let's look at some philosophy and whether someone can explain structuralism to me like I'm 5;

1: Levi-Strauss reckoned that the way we think about things has been set in place already by cultural factors (mainly language) - so the individual is almost a base through which ‘society’ does its work. Think about it like this - language existed before we were, and will continue after we will be gone, but we think through it and it constrains our understanding. The language allows understanding by contrasting together concepts, like dark:light. Would you understand dark if you didn't understand light? Then language goes one step further, and uses metaphor (or, if you like, myth) to allow even deeper understanding of something. So dark is to light as order is to chaos as Man is to Woman. You understand the first concept much more richly by linking it to your understanding of the other contrasts.

2: We actually understand things only through metaphors. Every word was once a metaphor - 'muscle' for example, came through the German word for 'mouse', because muscles looked like little animals moving under the skin. This extends up how we act out concepts. When we speak of 'knowledge', for instance, we understand it to be a 'space'. We 'shed light on that' or 'find common ground', or 'another perspective'. We therefore exchange knowledge freely, because everyone can stand in that space. Other cultures, for instance the Maori of New Zealand, understand knowledge to be a treasure. They therefore DON'T share knowledge except with (male) descendants, and don't particularly care if it's actually right or not, because it was a gift from their ancestors. See how this metaphor language stuff shapes society and understanding?

And let's look at the magazine Philosophy Now and A Gentle Introduction to Structuralism, Postmodernism And All That:

Structuralism arose on the continent, in particular in France, in the early 60s. The first ‘big name’ was Claude Lévi-Strauss, an anthropologist, who took on Jean-Paul Sartre, the leading French intellectual and philosopher of the time, and didn’t so much win, as went unanswered (which from Sartre’s point of view was worse). Here was France’s main philosopher, Sartre, who usually had something to say about everything, being attacked in Lévi-Strauss’ The Savage Mind, and yet not replying! The implication was that he couldn’t reply, and the intellectual mood began to move towards Lévi-Strauss’ intellectual position, which he called structuralism.

A simple explanation of structuralism is that it understands phenomena using the metaphor of language. That is, we can understand language as a system, or structure, which defines itself in terms of itself. There is no language ‘behind’ language with which we understand it, no metalanguage to explain what language means. Instead it is a self-referential system. Words explain words explain words (as in a dictionary), and meaning is present as a set of structures.

Helpful?!

To finish, here's something a bit strange(r)...

Going further, malaphors are when we get our metaphors mixed up [as in "it's not rocket surgery" instead of "it's not rocket science"!]

.

.

.

Thursday, 1 January 2026

classical dance from africa

'Western classical' (or 'art') music forms are associated with 'the West', but there are some fabulous examples of these coming out of other parts of the world. It does depend on your taste in music, but, before the political mess really started in Venezuela, there was a wonderful project happening there and the recycled orchestra of Cateura Paraguay is another great piece of inspiration.

On the BBC World Service today and on their excellent set of podcast documentaries, we can hear about the Kibera ballerinas: just listen to the first five minutes to get a sense of what this extraordinary project is all about...

[Or, if you prefer to get your BBC podcasts this way: Kibera Ballerinas - The Documentary Podcast - Apple Podcasts]

This is all about their latest piece: Dancing Through the Dust: Ballerinas turn one of the Kenya's Largest Slum into a Stage for a Christmas Show - with more pictures here: In Pics: Christmas ballet performance in Nairobi's Kibera slum-Xinhua

Here's a video of their work:

Ballet in Kibera, Kenya #UniteFor Community - YouTube

To finish, here's something from professional dancers in Senegal:

DANCING AT DUSK - A moment with Pina Bausch’s The Rite of Spring - YouTube

This Breathtaking Film Captures 38 African Dancers Performing Pina Bausch's Rite of Spring

Brought to the stage in Paris:

Pina Bausch's The Rite of Spring | The evolution of an epic - YouTube

.

.

.

Tuesday, 30 December 2025

parodying websites

Parody is often linked to dissent and satire, as well as irony - and today it is very much part of the current issues around populism, culture wars and woke.

One example of parody would be the Church of the Flying Spaghetti Monster.

And in the news, we have: Comedy duo create Band Aid parodySpicy Burlesque Parody 'The Empire Strips Back' and Die Hard musical parody showing at Norwich Puppet Theatre.

And back to the politics, it is suggested that 2025 was the year the far-right became a parody of itself.

This also brings us to the world of the parody website - for example: The Onion and ClickHole - Because All Content Deserves To Go Viral.

Whereas website spoofing might be legally questionable, as the Spoof website service suggests, it can actually work as a piece of political activism. In many countries, you can legally make a parody website Under US law a parody often counts as fair use, but it must be a “true parody” — that is one that seeks to comment on or criticize the original, not just a work that modifies the original to be funny.

The latest parody website parodies the United States' most prestigious performing arts venue, formerly known as The Kennedy Center - YouTube. The actual website is currently offering a Queue-it system because it is unable to manage the traffic wanting to enter it...

From the 'Trump-Kennedy Center', we do get this press release: Kennedy Center Board elects President Donald J. Trump as Board Chair | Kennedy Center Or as the USA Today news website asks: Did Trump rename the Kennedy Center after himself? Yes, that and more. Which has meant that artists cancel Kennedy Center shows after the Trump name change.

Also in today's news, we learn that a South Park writer has already purchased ‘Trump-Kennedy Center’ website domain to troll the president:

A former South Park writer bought two website domain names in order to troll Donald Trump after predicting the president’s move to rename the Kennedy Center in Washington D.C. Toby Morton saw that the writing was on the wall before the writing was on the wall, and purchased TrumpKennedyCenter.org and TrumpKennedyCenter.com back in August.

Earlier this month, White House press secretary Karoline Leavitt announced that the world-famous performing arts center would be renamed the Trump-Kennedy Center after a unanimous – but potentially illegal – vote from the institution’s new board, made up of members hand picked by the president. The move has already prompted public protests, as well as multiple artists to pull out of performances scheduled at the center in the coming weeks and a lawsuit that claims that the name change is unlawful as it can only be approved by Congress.

Morton, who has credits with the satirical cartoon and Mad TV, is known to have bought political domains in order to turn them into satirical. He told The Washington Post that he had purchased the Kennedy Center names after guessing the president’s plans.

And here is HOME | Trump Kennedy Center... [which does say at the bottom of the home page: 'THIS WEBSITE IS PARODY']

It's all a bit of a mess, with suggestions that Trump's White House, Kennedy Center moves could hurt the GOP in 2026, in that Trump’s ‘Marie Antoinette thing’ could cost Republicans in midterms.

.

.

.

the differences between teaching pronunciation/writing to 'native speakers' and to esl/esol/tefl students

Pronouncing and writing cat, cut and cart in English is not really a problem for 'native speakers', as its' pretty transparent because the way you say it and the way you write it is obvious. It is, however, a problem for ESL/ESOL/TEFL learners, simply because the sounds might not exist in their own mother tongues.

A for the "curvaceous young phoneme called schwa...", the challenge for 'native speakers' is that they can pronounce it no problem but won't be able to spell it [do I write 'introverted' or 'intraverted'?], whereas the ESL/ESOL/TEFL learner will have a problem not to over-pronounce the weak syllable. 

So, the methods to help one group learn English will not necessarily apply to another group.

Transcribing English text to phonetic transcription would be unnecessary for the average British school pupil as they don't need to learn the English phonemes; this would only be of use later on when wanting to better understand the language at an academic level. It would be more useful to learn the phonetic alphabet for someone learning the language who has not been brought up with it - but it is by no means essential.

So, someone who hears the target language everyday and everywhere does not need to do the hard work of 'picking up/acquiring' the language, whereas someone outside that milieu does - but, then, there are some great tricks and methods for using pronunciation in and out of the ESL/ESOL/TEFL classroom.

As for the 'native speaker' student, at British and American primary/early grade levels, there has been some controversy about the methods used. In a critique of phonics, the likes of linguistics professor Stephen Krashen is a strong advocate of the whole language approach to the teaching of reading, and has written many articles in support of it. In essence, whole language proponents claim that children learn to read most enjoyably and efficiently by exposure to interesting stories that are made comprehensible to them through pictures and discussions. This is in contrast to structured decoding programmes (usually designated phonics) in which children learn to read by sounding out the various parts of words.

Children's writer and educationalist Michael Rosen asked a decade ago: Can split digraphs help children learn to read and write? - and that Some children find this useful, some find it confusing:

What is a split digraph? The words “bit” and “bite” differ both in the way they are spelled and the way they are said. The letter “e” indicates a way of saying the vowel between the “b” and the “t”. Advertisers make them up: “lite”. This tells us there’s a pattern here. Educationists say that drawing children’s attention to this helps them with reading and spelling.

And another educator explains why the split spelling cracks me up.

Finally, it does seem that it's all about simply doing lots of reading and lots of listening - whether the students grew up with the language or come to it later in life. In other words, to acquire a language you need lots of comprehensible input!

.

.

.

Wednesday, 17 December 2025

bridget riley, artist

At 94, the British artist Bridget Riley has a lot of work to show - and she has two shows on at the moment: Exhibition Bridget Riley Point de départ | Musée d'Orsay in Paris and Bridget Riley: Learning to See | Turner Contemporary in Margate, an hour from London on the coast.

Bridget Riley | Check it out from the DISD Library | DI Library | Flickr

Here's a super documentary on Bridget Riley - Painting the Line (BBC):

With exclusive behind-the-scenes access, seldom-seen footage from the archives, insights from admirers, experts and contemporaries including Tracey Emin, Michael Craig-Martin and Martin Freeman, and a revealing interview by Kirsty Wark, this is the story of a true visionary of British art. 
Bridget Riley has been challenging our perception through painting for over 60 years, with radical work that has transformed how we look at art and invites us to feel with our eyes. With simple black and white geometric shapes, repeated curves of colour or an array of muted dots, Riley’s work moves, shimmers and - in some cases - unsettles. 
At the age of 90, Bridget Riley shows no signs of stopping. Her paintings command millions at auction, she has won prestigious awards and honours, and continues to innovate, paint, publish and exhibit around the world. BBC cameras have filmed with Riley over the past few years in two of her studios, on the cliffs of Cornwall, where she spent the Second World War, and at the National Gallery in London during the installation of her enormous mural there in 2018. 
In a rare and revealing interview with Kirsty Wark, Riley dispels the numerous misconceptions which have followed her throughout her career. Many consider her as a poster girl for the Swinging 60s, while others hail her as a titan of abstract art. However, Riley considers herself a traditional painter who has merely picked up the baton from those who have gone before her, such as Leonardo da Vinci, Monet, Cezanne and Matisse.

Finally, here's the Bridget Riley | Homepage

.

.

.

Friday, 5 December 2025

yinka shonibare, artist

The future is African whether in language [Nigeria is the third largest country when it comes to English speakers] or music or politics. 

But also when it comes to art - with an exhibition happening at London's Tate Modern on Nigerian Modernism

As a review on the BBC says, Nigerian Modernism gets recognition, as "a transfer of the old ideas, old items, old technologies, old thought into a different, modern time". It is "projecting the present, and showing the way towards the future".

Certainly when it comes to art and culture, there are all sorts of adventures in art at the British Museum - from Status Symbols (1200 - 1400 AD), Ife head to The First Global Economy (1450 - 1600 AD), Benin plaque - the Oba with Europeans to The World of Our Making (1914 - 2010 AD), Throne of Weapons.

Another place to go for art in London is the Royal Academy and its summer exhibition - and back in 2014 it was British-Nigerian artist Yinka Shonibare at the Royal Academy.


Ten years later, and Shonibare was a gorgeously recognisable artist, although some critics say he's simply doing the same thing.

Judge for yourself in a new BBC documentary: In My Own Words - Series 2: Yinka Shonibare - BBC iPlayer [and a comment about being an artist at 25:50]

.

.

.

Tuesday, 2 December 2025

cornelia parker, artist

From the Science Museum we looked at how art and nature interact:

discover how we have questioned our relationship with society, our bodies, the environment and found patterns in nature, as we continue to interpret and explore the world around us.

Another way of looking at the world could be how we see sheds - those little huts in the garden where we leave and forget lots of stuff:

or perhaps you prefer your sheds to explode...

which takes us to a reconstructed barn

A good place to see art in London is the Royal Academy summer exhibition

There is some great art happening, including from Yinka Shonibare, artist - whose work, as with many artists, is interesting to be seen next to others...

Including Cornelia Parker, also at Tate Britain in London - and New Zealand's City Gallery reopening with a bang with a major Cornelia Parker exhibition.


Cornelia Parker's 'Cold Dark Matter: An Exploded View’ (1991). SUPPLIED / Courtesy Tate Collection

These are brilliant ideas from Cornelia Parker - giving us Art from Destruction as seen in this recent video.

Finally in a new documentary from the BBC, In My Own Words, Cornelia Parker looks back over her extraordinary life and career.

.

.

.