There's something about the TV series Black Mirror:
Black Mirror is a British anthology television series created by Charlie Brooker. The series explores various genres, with most episodes set in near-future dystopias containing sci-fi technology—a type of speculative fiction.Black Mirror - Wikipedia
``Black Mirror,'' created by Charlie Brooker, serves as a cautionary anthology series that explores the dark side of technology and its impact on society. Each episode presents a standalone narrative, often set in a near-future world where technological advancements lead to unsettling, dystopian outcomes.What is Black Mirror warning us about? - Quora
Black Mirror is very much about political satire:
Jay Doubleyou: political satire on film
For example:
Jay Doubleyou: checking in at the airport
That particular episode is heavily satirising one aspect of modern Chinese life:
Jay Doubleyou: controlling ai - part three: china controlling ai
Here's an interview from a couple of years ago, when the sixth series was launched:
The sci-fi anthology is a social satire playing with society's deepest fears about our increasingly digital lives. Special correspondent Malcolm Brabant caught up with show creator Charlie Brooker in London to discuss why he thinks this work has gripped audiences.‘Black Mirror’ creator on why the techno-dystopian show has gripped audiences | PBS News
The next series has just started:
Black Mirror Season 7 Review — 'Wildly unpredictable'
Black Mirror season seven review – Charlie Brooker’s thrilling satire gets its warmest, most human season ever | Television | The Guardian
The point is that it tells us a lot about now:
After years of creating dark, disturbing, thought-provoking TV, Charlie Brooker is changing it up. The creator and star-studded cast of Black Mirror talk about why this season is the most moving and vulnerable yet‘If you want dystopia, look out your window!’ Black Mirror is back – and going beyond tech hell | Black Mirror | The Guardian
But some aren't happy about it:
Black Mirror is more than science fiction – its stories about modernity have become akin to science folklore, shaping our collective view of technology and the future.
Each new innovation gets an allegory: smartphones as tools for a new age caste system, robot dogs as overzealous human hunters, drones as a murderous swarm, artificial intelligence as new age necromancy, virtual reality and brain chips as seizure-inducing nightmares, to name a few. Episodes most often channel our collective anxieties about the future – or foment new ones through masterly writing, directing, casting and acting. It is a must-watch, but must we take it so seriously?
Black Mirror fails to consistently explore the duality of technology and our reactions to it. It is a critical deficit. The show mimics the folly of Icarus and Daedalus – the original tech bros – and the hubris of Jurassic Park’s Dr Hammond. Missing are the lessons of the Prometheus myth, which shows fire as a boon for humanity, not doom, though its democratization angered benevolent gods. Absent is the plot twist of Pandora’s box that made it philosophically useful: the box also contained hope and opportunity that new knowledge brings. While Black Mirror explores how humans react to technology, it too often does so in service of a dystopian narrative, ignoring Isaac Asimov’s observation: that humans are prone to irrationally fear or resist technology.
Black Mirror is more pessimism porn than Plato’s parable, imparting to its audience a tacit lesson: fear the future more than the past. Fear too much technological change, not too little. It is an inherently populist narrative, one that appeals to nostalgia: intellectually, we understand the present is better than the past in large part due to scientific and technological change, yet emotionally and instinctually we can’t help but feel this time in history is different, that the future can only get worse...
We must move away from binary tales of catastrophe, not towards naive utopianism that ignores problems and risks that comes with change, but hopeful solutionism that reminds us we can solve and mitigate them – stories that don’t make us forget that brain chips can liberate paraplegics, robot dogs can protect us from landmines, AI can prevent super bugs and VR can connect us rather than cut us off from reality – even if their vibes are “a bit Black Mirror”.Black Mirror’s pessimism porn won’t lead us to a better future | Louis Anslow | The Guardian
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